" It is new, indeed for I made it last night in a dream of strange cities: and dreams are older than brooding Tyre, or the
contemplative Sphinx, or garden-girdled Babylon" The Call of Cthulhu

Friday, April 29, 2016

Horror Anthologies, the art of Richard Powers and others


I have been enjoying a series of posts on horror anthologies on https://unsubscribedblog.wordpress.com/ which prodded me to put together a post I have been planning on horror anthologies with cover art by the well known SF illustrator Richard Powers, okay a couple of others slipped in.  I find it interesting that a number of SF writers also appear in these anthologies. Ramsay Campbell notes in the introduction to his collection Cold Print, that he first encountered HPL in the collection Cry Horror, purchased in Bascomb's a sweetshop when he was 14, so this is a good place to start. What better recommendation could you have.


Cover by Emesh
The Phantom-Wooer (poem) by Thomas Lovell Beddoes
The Crawling Horror by Thorp McClusky
The Opener of the Way by Robert Block
Night Gaunts (poem) by H.P. Lovecraft
In Amundsen's Tent by John Martin Leahy
The Thing on the Doorstep by H.P. Lovecraft
The Hollow Man by Thomas Burke
It Will Grow On You by Donald Wander
The Hunters from Beyond by Clark Ashton Smith
The Curse of Yig by  Zealia Bishop and H.P. Lovecraft 
Geregeerd (poem) by Ray H. Zorn
The Cairn on the Headland by Robert Howard
The Trap by Henry S. Whitehead and H.P. Lovecraft 


The Dweller (poem) by H.P. Lovecraft 


Cover by Powers
Sweets to the Sweet by Robert Bloch 
The Strange Children by Elisabeth Sanxay Holding
The Likeness of Julie by Richard Matheson
It Will Come to You by Frank Belknap Long
A Gnome There Was by Kutter and Moore
Nightmare at 20,000 Feet by Richard Matheson
In the Midst of Death by Ben Hecht
Gabriel-Ernest by Saki
Banner's Imp by August Derleth
Enoch by Robert Bloch
For the Blood is the Life by F. Marion Crawford


                                           Cover by Powers
The Claws Exposed (essay) by Whit Burnett and Hallie Burnett
The Birds by Daphne du Maurier
The Cats by T.K. Brown
The Cocoon by John B.L. Goodwin
Baby Buntings by Radcliffe Squires
The Red Rats of Plum Fork by Jesse Stuart
Butch by Oreste F. Pucciani
The Salamander by William B. Seabrook
The Return of the  Griffins A.E. Shandelling
Congo by Stuart Cloete
The Cat Man by Byron Liggett


Cover by Powers
Intro by Conklin
The Screaming Woman by Ray Bradbury
A Bottomless Grave by Ambrose Bierce
The Cart by Richard Hughes
The Graveyard Rats by Henry Kuttner
Skin by Roald Dahl
Night Court By Mary Elizabeth Councilman
Free Dirt Charles Beaumont
Listen Children by Charles Beaumont
Special Delivery by John Collier
The Child That Loved a Grave by Fitz-James O'Brien
The Outsider by H.P. Lovecraft
The Graveyard Reader by Theodore Sturgeon


Cover by Powers
Sorry, Right Number by Richard Matheson
Share Ailke by Jerome and Joe E. Dean
Talent by Theodore Sturgeon
Listen Children by Charles Beaumont
The Whispering Gallery by William F. Temple
The Piping Death by Robert Moore Williams
The Ghost by A.E. van Voght
Carillon of Skulls by Lester del Rey and James H. Beard
Pile of Trouble by Henry Kuttner


Cover by Jeff Jacks
The Gifts of the Gods by Raymond F. Jones
Turn of a Century by James Blish
Courier of Chaos by Poul Anderson
Mind of Tomorrow by Lester Del Rey
In the Beginning by Damon Knight
little Green Men By Noel Loomis

Saturday, April 2, 2016

Nothing Personal - Richard A Lupoff







DAW Books, Inc. 2010, cover artist uncredited

I have made no secret of my admiration, for Schweitzer's anthology Cthulhu's Reign, one of the best mythos collections I have read, quality wise, most stories are good to excellent. There are a few, so so stories, but as the old saying goes if you have nothing nice to say …, 

Which brings me to Mr Lupoff, his "Discovery of the Ghooric Zone - March 15, 2337" was the first story I discussed on this blog, and I loved it. It is fair to say I liked his contribution to this volume "Nothing Personal". I thought it was okay on first reading, even better when I read it again for this post, but I also found even more  quibbles with the story overall on the second reading. 

Yes we are off to Yuggoth again. Mankind has been exploring the solar system and the good news is there is life everywhere, but no obviously intelligent life. 

  " It took the exploration of dozens of moons to find jungles and prairies, natural gardens of unimaginable colors and forms, schools of swimming things that were surely not fish, and flocks of flying things that were anything but birds.
   But no people. Not merely no humans, like those whose robot explorers first landed on Callisto and Mimas, Miranda and Proteus and Galatea and all the others. The people of earth both longed for and feared the discovery of alien intelligences, whether they looked like giant grasshoppers, self-conscious cabbages or whales with hands, whether they wrote epic treatises on the meaning of life or built machines to carry them across the dimensional barrier to other universes even stranger than the one from which they had come. "p.238

Until Yuggoth,

"That huge planet and its four satellites, Nithan, Zaman, Thog and Thok, rolled eternally in a counter planar orbit, crossing the plane of the solar ecliptic only once in a thousand years. No wonder it had gone undiscovered for so long," p. 237. 

And on Yuggoth there are signs of intelligent life and Earth's robotic probes have sent back the images to prove it,

" images of structures that were undoubtedly artificial, yet that resembled no city ever built upon earth. They stretched for thousands of miles across the ruddy, pulsing surface of Yuggoth. They rose for hundreds of miles into the roiling, cloudy atmosphere of the planet. At the poles of the monstrous globe, black, glossy areas that must be ice caps reflected the light of a billon distant stars." p,239

And huge shapes move across the landscape. But all attempts at contact are in vain. So the Beijing 11-11, an observation satellite, ten years in the making is launched. It's two person crew, Dr. Chen Jing-quo and crewman Kimana Hasani have been sent from Earth's moon. Chen has trained for this type of mission her entire life. It seems children are selected as toddlers and sent to the moon to be trained as staff for Earth's ongoing scientific projects. Chen has been observing Yuggoth for the decade it has taken to build the Beijing 11-11. Upon arriving at Yuggoth, attempts to contact inhabitants of the planet, "Yuggothi"  again go unacknowledged and there is no indication that the Beijing 11-11 has even been observed. So Kimana Hasani announces that he will take one of the External Excursion Pods for a closer look. These pods are intended for maintenance or as lifeboats, and this excursion is not part of the mission protocol. Despite Chen's protests Hasani leaves and it is here we will also leave our intrepid explorers. 

Overall I enjoyed the story and, as I mentioned above, even more on my second reading. I liked the passages discussing mankind's discoveries in the exploration of the solar system and those concerning Yuggoth. There were obvious similarities with Lupoff's story "Discovery of the Ghooric Zone - March 15, 2337" as both concern small crews of explorers dispatched to Yuggoth. One difference that is apparent is the length this story, it is 11 pages long the earlier story was over thirty. This meant that in the "Discovery of the Ghooric Zone - March 15, 2337" Lupoff was able to offer us intricate explorations of the history of the various cultures of the explorers, similar to the long passages in HPL's "Mountains of Madness" or "The Shadow Out of Time". This much shorter story simply cannot accommodate the wonderfully atmospheric world building of the earlier tale. For all I know Lupoff may not have intended to create this type of back story to avoid comparisons with the earlier story. Whatever his intent "Nothing Personal" seems a bit short or rushed and there were, for me, some problems with the plot I had trouble with. I will discuss these under spoilers. Still I enjoyed the scope of the story, the interstellar arc of the work mirrors HPL's "Whisperer in the Darkness" where we first encounter Yuggoth With both of Lupoff's Yuggoth tales it is obvious we aren't in Arkham or even New England anymore.

Spolier/Quibbles

These are some things I noticed that bothered me, maybe it is nitpicking, please don't judge the story by them, read it first. Remember I had lots of nice things to say.

That Yuggoth is made of anti-matter, this reminded me of  Larry Niven's "Flatlander" in which Niven's character Bey Shuffler encounters an antimatter planet which damages his indestructible puppeteer built General Products hull.

There is no reason Lupoff cannot have an antimatter planet and I felt it was a nice plot twist. Chen is in the shower when the explosion caused by matter, the External Excursion Pod containing Kimana Hasani, contacts antimatter, Yuggoth's atmosphere. This explains why she is not blinded but wouldn't she be observing Hasani's progress? She also is able to watch and listen to what happens to Kimana Hasanibut it is not clear to me, is this supposed to be this taped? The "Yuggothi" indicate by their actions that they immediately associate the pod with Earth but not the larger satellite? 

Things I liked, the fact that Earth uses hyper-lightspeed communications and avoids any time delay, this is good because I loved the speed at which things unfold, that while Chen and her moon based supervisor Jerom are still discussing what happened we are told, "They're here!" p.244 and we realize that the "Yuggothi" have already responded.


Sunday, March 27, 2016

More New Eldritch Tomes

After offering up my credit card, yet again, still more accounts of the dark deeds and secret histories; that will one day rise to claim, more than just our peace of mind; have appeared.


While I didn't love all of Joshi's choices in the first 3 volumes I enjoyed them enough that I have purchased Volume 4. That said, I loved all four covers, illustration Gregory Nemec, background by Jason Van Hollander. So far I have read two stories, the first was "Black Ships Seen South of Heaven" by Caitlin R Kieran. In this tale we are treated to a post-rising story of the last days of earth, as good as or better that anything in the excellent anthology Cthulhu's Reign edited by Darrell Schweitzer. This story alone was worth the price of this anthology in my mind. But the second story I read was the very good "Half Lost in Shadow" by W.H. Pugmire. His Pickman inspired story " Inhabitants of Writhwood" in Volume 1 was a  powerful story that has certainly stuck with me. In "Half Lost in Shadow" we make a visit to Kingsport and the bottle collection of HPL's "The Terrible Old Man" which I though was a bold choice. Pugmire then infused HPL's ideas with the bleak nihilism of Thomas Ligotti and a bracing touch of a fantastic sea port reminiscent of those found in the work of James P. Blaylock, whose contribution to the mythos, "The Shadow on the Doorstep" appeared in the Arkham house volume, Cthulhu 2000. So two for two so far.



These stories written in 1917 and 1918 feature Professor Arnold Rhymer, an occult detective and doctor, as their protagonist. As a man who invested a hefty sum for the 6 volume, Popular Library set, of the Adventure of Jules de Grandin, by Weird Tales stalwart Seabury Quinn, concerning the adventures of another occult detective and doctor, how could I resist? Warning the author lost a son in World War One and the anti-German rhetoric is certainly strong in one of the two stories I have read so far.


Ralph E. Vaughan maintains the wonderful Book Scribbles blog on genre fiction  see Blogs I Follow. I have only dipped into this volume, but I am glad I did not read "The Woods, The Watcher & The Warding" at night while staying at our cabin with all the trees of the Aspen Parkland drawing branches across the roof and throwing shadows against the curtains.

Monday, March 21, 2016

New Eldritch Tomes




Lavisly illustrated, by Shasta Phoenix 
Forward by Rowena, Written by Stephen D. Korshak with J. David Spurlock


As a lover of Weird Tales I could not resist this book on the preeminent Weird Tales cover artist Margaret Brundage. I have to admit my favourite pulp magazine cover artist is probably Frank R. Paul with a nod to Virgil Finley, but you cannot deny that she did some of the most iconic covers for stories by the likes of Robert Howard,  Seabury Quinn, David H. Keller,  Edmond Hamilton and of course C.L. Moore.

Howard never had any luck getting on a Weird Tales cover during his life time. although he did get some lovely covers from  Astounding, maybe some covers would have sweetened him a bit on Margret, of course he would have needed to add more naked women and whips to the mythos.

From the back cover
" The human figure is as worthy a subject matter as any other object of beauty. But I don't see what the hell Mrs. Brundage's undressed ladies have to do with weird fiction."

H.P. Lovecraft


Thursday, March 17, 2016

Lovecraft Manuscript Found

Lovecraft Manuscript Found



The Dark Brotherhood, (Nice) Jacket 
by Wisconsin artist Frank Utpatel

"The Cancer of Superstition, a non-fiction treatise commissioned from author H.P. Lovecraft, was found in a memorabilia collection in a defunct magic shop. Magician Harry Houdini asked Lovecraft to ghostwrite the text for a book project, but died shortly thereafter. Now it goes to auction."

The quote above is from boingboing



It seems the manuscript was a collaboration between Lovecraft and C.M. Eddy at the request of Harry Houdini. The entire work was never completed due to Houdini's death. A synopsis and one chapter, "The Genesis of Superstition" was published in the Arkham house volume  The Dark Brotherhood and Other Pieces in 1966. S.T. Joshi provides an excellent overview of the collaboration in the Guardian article below. C.M. Eddy collaborated with Lovecraft on a number of works including "Ashes", "The Ghost Eater", "Deaf, Dumb, and Blind", and "The Loved Dead" probably the most, at the time, controversial story Lovecraft ever wrote. All of these stories as well a a number of 
Lovecraft's other collaborations and revisions can be found in the volume  The Horror in the Museum, Arkham House Publishers Inc. 1989. This volume also provides S.T. Joshi's  (he's everywhere) notes discussing the working relationship between Eddy and Lovecraft. 

The Horror in the Museum, Jacket by Raymond Bayless

Lost HP Lovecraft work commissioned by Houdini escapes shackles of history
http://www.theguardian.com/books/2016/mar/16/hp-lovecraft-harry-houdini-manuscript-cancer-superstition-memorabilia
Long-lost H.P. Lovecraft manuscript found



http://boingboing.net/2016/03/17/long-lost-h-p-lovecraft-manus.html


Monday, March 14, 2016

The (Great) Lovecraft Reread

The (Great) Lovecraft Reread


As part of this blog, I hope to highlight some of the good HPL resources I find on the web. The  following reread at Tor.com offers some really interesting takes on some of HPL's classic stories. I also like that Emmrys and Pillsworth, both authors who work with Mythos themes, also include stories by some of Lovecraft's friends, influences, and contemporaries. Included are Frank Belknap Long's "The Hounds of Tindalos", E.F. Benson's "Negotium Perambulans", M.R. James "Count Magus",  Robert W. Chambers " The Repairer of Reputations" , Edgar Allan Poe's "Fall of the House of Usher, C.L. Moore's "Shambleau, T.E.D. Klein's " Black Man with a Horn" etc. 

And Tor.com also offers the full text of Ruthanna Emrys's "The Litany of the Earth" one of the best Mythos stories I have read in many years. (Hopefully the subject of a future post)

So stop by and take a look.

http://www.tor.com/series/the-lovecraft-reread/

From the tor.com webpage


The Lovecraft Reread

Ruthanna Emrys and Anne M. Pillsworth

Welcome to the H. P. Lovecraft reread, in which two modern Mythos writers—Ruthanna Emrys and Anne M Pillsworth—get girl cooties all over old Howard’s original stories. Together they hope to explore both the awesome and the problematic, both the deliberately and accidentally horrific. Reading order will be more or less random. As the Great Race of Yith would point out, if they cared enough to do so, linear time is merely an illusion anyway.

Tuesday, March 8, 2016

New Eldritch Tomes

The black gate of a thousand pastiches remains unclosed and has spawned a new series of tales to trouble our dreams and haunt the dark corners of our waking mind.



I have to say that Volume One did not thrill me, I found most of the stories okay at best. I liked Harry Turtledove's The Fillmore Shoggoth, The Warm by Darrell Schweitzer, The Dog Handler's Tale by Donald Tyson, I am undecided about Shea's Under the Shelf I have to reread it. The best tale for me was Last Rites by K. M. Tonso despite some geological silliness that was hard to ignore even in a Lovecraft pastiche. 

I have just started Volume Two and I have already found superior tales by Stableford, Jones, and worth the price of this volume by itself, The Hollow Sky by Jason C. Eckhardt. And I still have most of the book to read.

TOC:
Foreword by Kim Newman
Introduction by S. T. Joshi
20,000 Years Under the Sea by Kevin J. Anderson
Tsathoggua’s Breath by Brian Stableford
The Door Beneath by Alan Dean Foster
Dead Man Walking by William F. Nolan
A Crazy Mistake by Nancy Kilpatrick
The Anatomy Lesson by Cody Goodfellow
The Hollow Sky by Jason C. Eckhardt
The Last Ones by Mark Howard Jones
A Footnote in the Black Budget by Jonathan Maberry
Deep Fracture by Steve Rasnic Tem
The Dream Stones by Donald Tyson
The Blood in My Mouth by Laird Barron
On the Shores of Destruction by Karen Haber
Object 00922UU by Erik Bear and Greg Bear




Brian Stableford has produced some very good Lovecraft pastiches as well as a vast amount of SF. I have encountered his work in other collections Tsathoggua’s Breath (above), From Beyond, and The Truth About Pickman, also in this volume and been quite impressed so I was pleased to find this collection. I have not read most of the stories here but I am expecting great things. 


TOC

Introduction Brian Stableford

The Holocaust of Ecstasy
The Legacy of Erich Zann
The Seeds from the Mountains of Madness
The Truth About Pickman




From the wonderful publishing house of Fedogan & Bremer, with a soon to be classic cover, painting by Tim Kirk, cover design Michael Waltz, we have a collection from one of my favourite Lovecraftians, both as author and editor, Darrell Schweitzer. Yes the editor of the brilliantly bleak, soul-wrenchingly dystopian collection Cthulhu's Reign, hint nothing ends well, is also a great writer. Not all of the works are clearly Lovecraft pastiches but those that aren't are still cosmic in scale and some of the best stories in the collection. Just to mention two, the very powerful Howling in the Dark and The Clockwork King, the Queen of Glass, and the Man with a Hundred Knives. It was the latter tale that really cemented Schweitzer's stature in my mind. When I read this tale of a man "trapped?" between our reality and the kingdom of the Clockwork King and the Queen of Glass I was blown away. When I read this story I thought not of HPL but of Jonathan's Carroll's The Land of Laughs and the tantalizing fragments of the children's books, The Land of Laughs, The Pool of Stars, Peach Shadows, and The Green Dog's Sorrow that he attributes to the mysterious author Marshall France. And while I like HPL if you have not read Carroll's The Land of Laughs, A Child Across the Sky, Bones of the Moon, Outside the Dog Museum give Howard a rest and find one or more of these titles.

TOC
Introduction" S.T. Joshi
Envy, the Gardens of Ynath, and the Sin of Cain
Hanged Man and Ghost
Stragglers from Carrhae
The Eater of Hours
The Runners Beyond the Wall
On the Eastbound Train
Howling in the Dark
Sometimes You Have to Shout about It
The Head Shop in Arkham"
Innsmouth Idyll
Class Reunion
Why We Do It
The Warm
Spiderwebs in the Dark
The Corpse Detective
Jimmy Bunny
The Last of the Black Wind
In Old Commoriom
The Clockwork King, the Queen of Glass, and the Man with a Hundred Knives
The Scroll of the Worm with Jason Van Hollander
Those of the Air  with Jason Van Hollander
Ghost Dancing