" It is new, indeed for I made it last night in a dream of strange cities: and dreams are older than brooding Tyre, or the
contemplative Sphinx, or garden-girdled Babylon" The Call of Cthulhu

Thursday, May 23, 2019

Thomas Ligotti; more links

I have encountered several resources that I would like to share. The first is an essay on Ligotti and Lovecraft by Matt Cardin. Cardin provides a very concise discussion of the lives and works of both authors and then takes a detailed look at similarities and differences in both author's worldview and how this influences their writing. I found this quite informative. I have always found the connection between the works of Ligotti and Lovecraft when considered in their entirety overstated. Some works like Ligotti's "The Last Feast of the Harlequin" and "The Sect of the Idiot" have an obvious connection but as Cardin rightly points out the differences between the two authors works or personal philosophies are far more important in understanding their works than any similarities. This point is also reinforced in the Weird Studies podcast below.

The Masters' Eyes Shining with Secrets:
H.P. Lovecraft and His Influence on Thomas Ligotti by Matt Cardin

from the introduction
"Jonathan Padgett, the originator of Thomas Ligotti Online, relates the following anecdote in his Ligotti FAQ: "In a phone conversation I had with Mr. Ligotti in the Spring of 1998, he explained that Lovecraft's fiction had had the most profound influence on his life rather than his fiction, as reading HPL's work was the impetus for Ligotti's writing career. Aside from this fact, Lovecraft really has had very littles to do with the subject or style of Ligotti's writing"


http://www.ligotti.net/showthread.php?t=218

Thomas Ligotti's Angel (a discussion at Weird Studies)


ABOUT THIS EPISODE
In his short story "Mrs. Rinaldi's Angel," contemporary horror author Thomas Ligotti contrasts the chaotic monstrosity of dreams with the cold, indifferent, and no less monstrous purity of angels. It is the story of a boy whose vivid dream life is sapping his vital force, and who resorts to esoteric measures to rectify the situation. In this episode, Phil and JF discuss the beauty and horror of dreams, the metaphysical signifiance of angels and demons, and the potential dangers of seeking the peace of absolute "purity" in the wondrous flux of lived experience

"Mrs. Rinaldi's Angel" by Thomas Ligotti

https://www.youtube.com/watch?v=Wm1iH6EIMAA

The Mystics of Muelenburg - Thomas Ligotti

https://www.youtube.com/watch?v=1Zt01ZuSUXQ

Image; detail from The Nightmare Factory; Carroll & Graf, 1996, cover illustration not attributed.

Hopefully none of the links above are violations of copyright; if you have any concerns please leave a comment.

Monday, May 20, 2019

Vastarien: A Literary Journal (Thomas Ligotti)

  I have made no secret of my admiration for the works of Thomas Ligotti so when I noticed a journal called Vastarien, (available at the Kindle store) which I recognized as the title of one of his stories, with a wonderfully evocative cover by Dave Felton I had to check it out. I have read stories from two issues so far, "The Gods in Their Seats, Unblinking" by Kurt Fawver and "Commencement" by Joanna Parypinski, both were brilliant. I have included a quote and link below to the announcement on The Teeming Brain website that Vastarien has won an award as Magazine of the Year from the annual This is Horror Awards. 
"Vastarien: A Literary Journal was conceived five years ago by a handful of people who wanted to see more writing about and in response to the work of writer/thinker Thomas Ligotti. Since then, our publication has been bombarded with stellar, but unusual, work by authors and artists — many of whom are underrepresented and/or newer voices. Without them and the incredible support Vastarien continues to receive from its devoted readers, this singular journal never would have come to fruition. Thanks so much to all of you and the staff of This Is Horror for this wonderful award."

—Jon Padgett, Editor-in-Chief of Vastarien: A Literary Journal
THIS IS HORROR FICTION MAGAZINE OF THE YEAR


Also, The Teeming Brain offers an interview with Thomas Ligotti (see link below).
"Certain writers are more prone to eliciting this experience than others, simply because of the way they write. For example, many millions of people have read and loved The Da Vinci Code, but it’s unlikely that any of them have found the voice of their soul reflected in Dan Brown’s prose. The same holds true for virtually all genre writers and mass market writers. When was the last time somebody felt profoundly confirmed and transformed by reading a Robert Ludlum novel? Or a Dean Koontz novel? Or a Conan story? Or a Harlequin romance? It seems the transformative power of literature is almost always found in the explicitly “literary” branch of the family tree, and with a few rare exceptions in the work of authors who write in a specific genre but do so with a distinctive voice and sophisticated style, and under the power of a driving personal vision. In such cases the term “literary” is often appended to the generic category label, so that for instance we today have the subgenre known as “literary horror.”"

from Interview with Thomas Ligotti
It’s All a Matter of Personal Pathology

http://www.teemingbrain.com/interview-with-thomas-ligotti/

Photo; detail of Chris Mars illustration for the cover of the Penguin edition of Songs of a Dead Dreamer and Grimscribe by Thomas ligotti

Thursday, May 2, 2019

Hellboy: The Board Game (Mantic Games)



Some time ago Helen participated in the crowd funding for 
Hellboy: The Board Game. 
She has been awaiting delivery for some time. 
Today was the big day.

Details about the game and much better photos can be found here.




Lots of stuff to unbox.



And I mean lots.


A few of the large bonus figures.






She is quite pleased, the detail on even the smallest figures is incredible.

Wednesday, April 17, 2019

Jonathan Carroll Mama Bruise

Jonathan Carroll is a writer I have read for many years and while he is not Lovecraftian, his stories might appeal to at least some of the same readers, and I will always plug his work. Plus anyone who has their own Weird Tales issue has a place here.
Tor is offering his short story "Mama Bruise" on their website. It is a great place to start.
from my comment on Tor.com
  "Jonathan Carroll, wow, I have read him for years. His stories can be horrific, funny, thoughtful heartrending or all of the above in the same work. He transforms the mundane world into a place of magic and angels, tattoos that come alive, cancers, murders, myths and fairytales.  And there are dogs, when I started reading him with Land of Laughs I did not realize that Nails the bull terrier would only be the first of so many memorable dogs. There would be Friend, the Jack Russell, in Friend’s Best Man, Mailbox in My Zoondel. And of course there was another bull terrier, Big Top who appeared in both Sleeping in Flames and Outside the Dog Museum. And many more dogs, and now here is another. Carroll’s dogs are magic creatures, angels, guides, protectors and well, dogs. And here we have another dog, another role. Jonathan Carroll obviously loves dogs and understands them. One of my favourite of Carroll’s lines comes from his short story Waiting to Wave. 
“The wind is gusting, the dog runs full speed towards nothing but happiness…,” 
Because that is what dogs do, and Carroll knows that."

Sunday, March 31, 2019

Ralph E. Vaughan; Sherlock Holmes in the Dreaming Detective

A few posts back I mentioned how much I enjoyed the Sherlock Holmes stories of  Ralph E. Vaughan. After reading both his Sherlock Holmes: The Cthulhu Mythos Tales and Sherlock Holmes: The Coils of Time and other stories, I purchased a used copy of  Sherlock Holmes in the Dreaming Detective.  I have included a quote from Ralph's post about the book and a link to his site below. The Dreaming Detective is set for the most part in Lovecraft's Dreamlands. The book itself is quite short, some 61 pages and that includes a second story, "The Adventure of the Laughing Moonbeast" which is also quite enjoyable.This post will include spoilers.  

  The Dreaming Detective begins in a New York City hotel room on January 2, 1943. Nikola Tesla is in bed close to death when he is visited by Albert Einstein. He has come to take Tesla to Washington D.C. to save Sherlock Holmes. Holmes is in a dream vault, a device designed by Tesla, which allows Holmes to remain in the Dreamlands without aging. Removing Holmes would mean that he would begin to age normally and given his advanced age, he would die. The machine monitoring Holmes indicates that he is in trouble and it has been decided that Tesla should travel to the Dreamlands to help Holmes. Tesla's relationship with Holmes is detailed in a series of flashbacks that occur on the journey. They first meet in Colorado Springs, Colorado in 1899. Tesla is there to conduct a series of experiments in wireless power transmission. The night of the experiment Telsa is approached by Holmes with a warning, one of his technicians, Heinrich Grantz is actually Wilhelm Reisen, an evil scientist whose experiments have killed killed scores of people. Holmes intends to arrest Reisen later, but during the experiment Reisen wounds Tesla and increases the power levels in an attempt to break down the barriers between our Earth and the Dreamlands. Homes intervenes, Reisen is propelled into the Dreamlands and a large severed tentacle is left behind. Giant tentacle, hurrah!!


  Tesla and Holmes will meet again, Holmes explains that using a Heinsenberg pocket of uncertainty, Reisen was able to rescue Moriarty as he fell to his death. They have joined forces still hoping to break down the barriers between the two worlds. This would allow them to introduce magic into our world and gunpowder and internal combustion engines into the Dreamlands, conquering both worlds. Once in the still unfinished Pentagon, the site of the Dream Chamber, Tesla is brought up to speed. Reisen and Moriarty are in dream vaults in Berlin. The Dreamlands has been mapped by a number of Anglo-American expeditions and five agents have proceeded Tesla in attempts to rescue Holmes. Four have died and one is mad. Because of their friendship and because he has nothing to lose, he is dying anyway, Tesla uses the power of the dream chamber to project himself into the Dreamlands. During the course of his journey Tesla enters the Enchanted Wood of the Zoogs. Suddenly Tesla is captured by two Nazi stormtroopers, it seems Reisen has joined forces with Hitler. They have already killed a Zoog and intend to kill Tesla when, well the Zoogs's may or may not think it's okay to punch a Nazi, but they are quite happy to rip them apart and eat them. Tesla continues his journey to Dylath-Leen. Before he can locate Holmes he is captured by the strange creatures that serve the moonbeasts who of course make him drink wine, and yet more Nazi, who have replaced the moonbeast's flying galleries with airships pulled by frost worms. They then carry Telsa off to Plateau of Leng. I will leave it there. 

  Another great tale, despite it's length Vaughan has created a tapestry that mixes real and fictional characters from the Edwardian or Victorian period through the two world wars. He is faithful to Lovecraft's creation while expanding the parameters just enough to allow for a new and imaginative approach to the story of the Dreamlands which never seems formulamatic. Without going into lengthy expostulations Vaughan stitches together a rich and interesting backstory of both the continuing feud between Moriarty and Reisen and Holmes and the ongoing efforts of various governments to deal with the potential problems that the Dreamlands might present should the barriers weaken. It seems the Zoogs have already broken through at least once.

Most importantly it is a fun story, Tesla is a great addition to the Holmes canon and I always enjoy another well-realized trip to the Dreamlands.



  

 "A few years ago I posted a blog about when I introduced Sherlock Holmes to HP Lovecraft in The Adventure of the Ancient Gods. If you're interested in reviewing it, you can click on the link in the title and be taken there. However, if you're interested in reading the story, you may have a bit of a problem. Copies of the original fanzine, Holmesian Federation #4 are very difficult to find and can be costly; copies of the chapbook published by Gary Lovisi's Gryphon Books are likewise hard to find and can be even more expensive, especially if it's the first edition with my name misspelled on the cover. Purchasing the book, along with any of my other Sherlock Holmes books published by Gryphon is no longer an option, thanks to a visit by Hurricane Sandy in 2012. That incident led me to republish a later book, which introduced Sherlock Holmes to HG Wells' Time Traveler as Sherlock Holmes: The Coils of Time & Other Stories. The "other stories" in the book were all new ones I had written after 2005, all either about Holmes directly, in homage to Holmes, or about other characters in the Canon.'


for the full post;

http://bookscribbles.blogspot.com/2015/08/sherlock-holmes-vs-cthulhu.html"

All illustrations by Earl Geier, 
Gryphon Publications, 1992.



Friday, March 29, 2019

HPL in the movies; Aquaman and The Dunwich Horror

 
My wife and I watched the 2018 film Aquaman last night. We enjoyed the various special effects, especially the less human groups, like the fish-like merpeople (The Fishermen), the monsters of the Trench and the crustacean forces of the Kingdom of the Brine. Early in the film there is a shot of a snow globe resting on a copy of The Dunwich Horror by H.P. Lovecraft. The film itself had no real elements of Lovecraftian horror, although it did deal with a Lovecraftian theme, the birth of a character, whose parents represented two very different groups. It is interesting that Lovecraft's work still seems to be part of such a strong cultural dialogue between artists of various mediums. Slate did a thoughtful piece on this element of the movie, the link is here;

"Aquaman Owes a Lot to H.P. Lovecraft. It’s Also His Worst Nightmare." by Keith Phipps

https://slate.com/culture/2018/12/aquaman-movie-hp-lovecraft-racism-miscegenation.html

Edition pictured, 1945 by Bartholomew House,
Cover artist uncredited.

Sunday, March 10, 2019

The Dweller in Darkness, The Fisherman of Falcon Point, August Derleth



"The Dweller in Darkness" by August Derleth
Weird Tales, November 1944, Cover by Matt Fox, Image from ISFDB.

I mentioned over on Jagged Orbit, that I recently purchased a dvd of pdf's of some earlier issues of Weird Tales. While I would have liked more of the earliest issues, there was a good selection. One of the first stories I read was "The Dweller in Darkness" by August Derleth, I have read it before, a number of times but how could I resist this cover. Derleth occupies a strange position within the mythos. Derleth along with Donald Wandrei founded Arkham House in 1939, thus keeping alive not just Lovecraft's work but also his letters, and the work of many of his circle, including Frank Belknap Long and Clark Ashton Smith. But he is also considered to have introduced some none Lovecraftian elements to the Mythos, including adding a somewhat Christian World View and the casting of the Old Ones as elementals that can be played off against each other. 




Here I am quoting from John Linwood Grant's somewhat (I assume ) tongue in cheek, THE CTHULHU MYTHOS FOR BEGINNERS, Because we don't want to be taking this to seriously.


"August Derleth, having worked in a canning factory, liked everything neatly packaged and labelled, so whilst he added his own beings, he also tried to sort the others into orderly groups which could be represented by elements, nature, and weight of contents when drained."
"Hence his identification of Cthulhu as a water deity, despite Cthulhu’s known dislike of its enforced holiday in the oceanic depths. And Derleth’s creation of Cthulhu’s bad-tempered brother-in-law, Cthugha, when it was pointed out that he’d missed Fire out."

http://greydogtales.com/blog/the-cthulhu-mythos-for-beginners/

I will try to do a more detailed post on Derleth in the future but in this post I want to look at only two works "The Dweller in Darkness" and "The Fisherman of Falcon Point". I plan to include spoilers for "The Dweller in Darkness" so I will look at "The Fisherman of Falcon Point" first. ISFDB indicated that "The Fisherman of Falcon Point" was first published in the Arkham House collection The Shuttered Room rather than making it's initial appearance in Weird Tales. 

I was surprised to find that "The Fisherman of Falcon Point". did not appear in several collections that purport to contain all Derleth's mythos stories.

     
 However it can be found in both of the collections below.


"The Fisherman of Falcon Point" is the story of Enoch Conger who lived on the Massachusetts coast not far from Innsmouth. He is not one of the Innsmouth folk, but a powerfully build man with a barrel chest and long arms. He wears his hair and beard long. He is not gregarious, though he will join the other men in the tavern after he sells his fish; 

"He was a taciturn man, given to living alone in a house of stone and driftwood which he himself had constructed on the windswept point of land, where he heard the voices of the gulls and terns, of wind and sea, and, in season, of migrants from far places passing by, sometimes invisibly high. It is said of him that he answered them, that he talked with the gulls and terns, with the wind and the pounding sea, and with others that could not be seen and were heard only in strange tones like the muted sounds made by great batrachian beasts unknown in the bogs and marshes of the mainland." 

And all is well, it seems with this strange solitary man, until one night he lifts the nets he cast off Devil's Reef and brings up a creature that pleads for her life. Not a mermaid, as he tells the tavern hangers on, because she has legs though her feet are webbed. But something else. Conger is of course mocked for this story, but more importantly haunted by this experience. I will leave this story here. I loved this story, perhaps because my enjoyment of Lovecraft's work is not limited to his more canonical stories, like The Call of Cthulhu, or the Dunwich Horror, but also extends to works from his Dunsany phase. "The Fisherman of Falcon Point" reminds me more of Lovecraft's "The Strange High House in the Mist" or even Dunsany himself with perhaps a nod to The Arabian Nights. Nothing momentous happens, no mountain walks, not deities are evoked to battle one another in an incandescent firestorm above Devils Reef. It is a story of mood and atmosphere, that evoked the sounds of the sea and the gulls above it, the feeling of wet sand and the smell of salt in the air.

To listen to the story you can try the link below, but the text contains spoilers. My rating for the story would be totally different because I really enjoyed it. Again it is probably one of my favourite of Derleth's contributions to the mythos, although perhaps very understated for some tastes.

https://sentinelhillpress.com/2016/04/01/derleth-country-5-the-fishermen-of-falcon-point/

"The Dweller in Darkness" is set in Derleth's native Wisconsin, perhaps he is following the advice he gave to a young Ramsey Campbell, to forgo setting his stories in Lovecraft's New England and instead pick a location he knew. This advice led Campbell to rewrite his earlier stores and launched his Severn Valley Tales, collected in the Arkham House collection, The Inhabitant of the Lake and Less Welcome Tenants (1964) (PS Publishing released a new edition with lots of additional material), https://www.pspublishing.co.uk/the-inhabitant-of-the-lake--other-unwelcome-tenants-paperback-by-ramsey-campbell-new-cover-1340-p.asp

If so, however Derleth's resolve must have wavered because as far as I know he revisited his Wisconsin setting only once more in his mythos fiction with his 1941 story "Beyond the Threshold", which I will try to do another day. The "Dweller in Darkness" begins with a couple of introductory paragraphs describing the physical landscape where the story takes place. Standard stuff, not as well written as the landscapes described in the first paragraphs in Lovecraft's stories, "The Colour Out of Space", "The Picture in the House" or "The Dunwich Horror" but okay. The setting is the empty lodge on Rick's Lake, the lake is shunned because there are strange winds, unearthly music and a tendency for people to disappesar. sometimes they are just gone. Sometimes they reappear, alive but far away, sometimes dead with their bones broken as if they have fallen from great heights, well, you get the idea. Kind of a strange place. But the lodge attracts the attention of Prof Gardner, when he is summoned to the local museum to view a recently discovered mummified figure tentatively identified as Fr. Piregard, a missionary who disappeared in the area three centuries earlier. The problem was, the body was not mummified but frozen and it appeared to have been dead no more than five years. This piqued Gardner's interest and he was off to the lodge to see what he can find. And well, he disappears too.

  After a through search by the local sheriff the mystery of his disappearance is abandoned. Until two of the professor's graduate students, Laird and Dorgan (wonderful mythos name that) spurred on by some of Gardner's letters to Laird. decide to investigate. Equipped with a dictaphone to record any evidence, they travel to Rick's Lake. At the lodge the sheriff gives them some notes Gardner left behind and they also meet Old Pete, a "half breed" prospector who is familiar with the area. They hear spooky wind sounds and scary music and take a brief side trip to visit Professor Partier, who was retired from the university, because he was crazy. I guess they did not have tenure in those days. He fills them in on all the details of the Deleth/Cthulnu mythos and suggests they go home. Later, because that is how these things are done in the pulp magazines of the 1940's, they will ply Pete with "firewater" and force him to take them to see a strange carving of a giant figure accompanied by two smaller figure that is on a rock near the lodge. Pete is rightly, terrified to approach this location after dark and they return him to the highway. When they listen to the dictaphone there is a message from Gardner telling them to flee, but only after summoning Cthugha, remember we heard about him earlier. Then Gardner himself shows up, accidentally destroys the dictaphone recording and Laird and Dorgan visit the rock carving. 

This was an okay mythos tale, certainly better than Derleth's very repetitive adventures of Prof. Laban Shrewsbury in The Trail of Cthulhu. But I did have some quibbles, first off, even though I had read it before, I was convinced based on the hints that the creature would be Ithaqua, the setting and behaviour was consistent with his portrayal in other stories by Derleth, Lumley and others. That it was Nyarlathotep the crawling chaos, baffles me. I have always pictured him as a bit more urbane, it may be made up nonsense, but I have standards. 

"He said he had risen up out of the blackness of twenty-seven centuries, and that he had heard messages from places not on this planet. Into the lands of civilisation came Nyarlathotep, swarthy, slender, and sinister, always buying strange instruments of glass and metal and combining them into instruments yet stranger. He spoke much of the sciences—of electricity and psychology—and gave exhibitions of power which sent his spectators away speechless, yet which swelled his fame to exceeding magnitude." from Nyarlathotep by H.P. Lovecraft.

I also see shades of Lovecraft's "The Whisperer in the Darkness" in the resolution. While I enjoyed the cosmic bits of "The Whisperer in the Darkness"I find certain aspects of the plot very weak. The pussyfooting around that the Mi-Go go through with Wilmarth to get hold of the evidence for one, (and don't get me started on Basil Cooper's tribute The Great White Space) has always seemed unnecessary. In this case Nyarlathotep has even less to lose if exposed than the Mi-Go so why all the deception. Come to the point, pick them up, carry them off to Leng or R'lyeh and make them walk home. I do get a little frustrated when I feel people emulate the weakest rather than the strongest aspects of Lovecraft's work. Mythos tales have always been uneven, even some of Howard's so maybe i expect to much. The setting and atmosphere in this story are okay, the plot fairly standard. And I do like the rather silly cover from Weird Tales.



Illustrations and covers 

In Lovecraft's Shadow and directly above Stephen E. Fabian for Mycroft & Moran

A Look Behind the Derleth Mythos cover by Leo Grin

The Shuttered Room cover by John Holmes

The Watchers Out of Time and Others cover by (the great) Herb Arnold